Travis Strikes Again Coffee and Doughnuts Ramen Shop

Time to beat the Death Bulldoze.

Travis Touchdown: Agree it! I've been away a long time. There'south a new generation of gamers out in that location! Allow me at least introduce myself—
Bad Man: TRAVIS TOUCHDOWN! You murdered my daughter! Don't pretend you've forgotten!
Travis: Now quit making this shit confusing! They demand to know about the virtually badass assassin in video games!
Bad Man: You BASTARD!!! Quit trying to butter up the gamers! Your fight is here in the real world! SON OF A BITCH!!!

Travis Strikes Over again: No More Heroes is the third entry of the No More than Heroes series, developed by Grasshopper Manufacture equally usual and released on the Nintendo Switch on January 18, 2019, with ports for Playstation iv and PC via Steam coming at a later appointment. Notably, it is being directed past Suda51, whose last directed game was the original No More Heroes over x years prior, and includes collaborations with various indie developers in the form of licensed in-game T-shirts. Despite taking identify and continuing the story after the first two games, Travis Strikes Again is not No More Heroes 3, and is instead a smaller-calibration game that tells a somewhat unlike story.

Seven years after the events of Desperate Struggle, a ghost from the by returns to hunt down retired assassinator Travis Touchdown: Bad Man, the bat-toting, beer-chugging male parent of Bad Girl, who's out for a personal vendetta confronting Travis for murdering his daughter. Tracking down Travis to an RV in the eye of nowhere, Texas, he attempts to kill him, just Travis gets the ane-up on him and the two clash. In the midst of the fight, a mysterious "phantom" game panel known as the "Death Drive Mk. Ii" in Travis' possession activates, transporting the two of them within. Co-ordinate to an urban legend, collecting (and beating) the console's six games, stored in eye-shaped cartridges called "death balls," will grant the owner a wish, enticing Bad Man to attempt to complete Travis' drove with him (and play through the games in the virtual world of the panel) to employ that wish to bring Bad Girl dorsum to life.

The game is divided between the Expiry Drive games themselves, which play out as action gameplay with optional co-op, and chance-game Visual Novel blazon chapters which testify how Travis and Jeane learn the Death Balls in the real earth.

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This game contains examples of:

• All There in the Transmission: You tin complete the game without reading K'south faxes or whatsoever of the bonus ones he sends if you discover Hidden Characters in the levels, but y'all won't accept the full context for what happens in the ending or a fundamental piece of data almost what you're really killing for most of the last stage. The magazine articles give extra backstory for the in-universe game worlds every bit well.
• And the Adventure Continues: The game ends with both Travis rediscovering his love for risk (and, of course, bloodshed), and accidentally reigniting his enmity with Bad Human being.

  Bad Man: Did you but call Charlotte a "fuckin' mutt"…? You merely signed your death warrant. I'm gonna kill you!

• And Your Reward Is Apparel: Per series tradition, Travis volition exist able to collect a variety of unlike T-shirts, with many of them this time based on real-life indie games.
• Arc Number: 7. Information technology's the number on Badman'due south default T-shirt from his baseball days, at that place's a vague seven shape on Travis' new jacket, seven years have passed since the events of the last game, there are 7 Death Ball levels in all, Garcia Hotspur was killed after existence shot by seven holy bullets, and Dan Smith from Killer7 appears in the second intro cinematic added via the "Solar day seven Patch".
• Artifact of Doom: The Death Drive Mk.II, along with its previous incarnation, the Death Bulldoze AAA, were co-opted by the CIA for the purpose of making a Clone Regular army by gathering biometric information through the Mk.II's controllers and 3D-printing supersoldiers that could be controlled through the AAA. Klark and Dr. Juvenile filled the Mk.II full of bugs and scattered the Death Balls to thwart the CIA. By collecting the Death Balls and clearing the games, Travis would potentially be an Unwitting Instigator of Doom as he would essentially debug the Mk.II, reactivate the AAA, and allow the CIA to create its clone army.
• Art Shift: Every Death Drive game opening scene has a dissimilar fine art style, including PS1-style C Gs, vector-esque graphics and live-action video segments, with some elements of these conveying over into the games themselves.
  • Other examples include monochrome greenish and pseudo-CODEC-style interface for the "Travis Strikes Back" segments, and minimalist pixel fine art for the scene on Mars in the epilogue.
• Babies Always Afterward: Travis off-hand mentions having a child and a wife that he had left behind so they wouldn't go continually threatened past the assassins coming for him. This is more fully addressed in the 2nd DLC. Turns out he had two kids with Sylvia: ane beingness his daughter Jeane, the daughter who appeared in The Stinger of the showtime game, and the other existence his son Hunter.
• Back from the Dead: Bad Human plans to employ the Death Bulldoze Mk. II'southward fabled wish-granting powers to resurrect his daughter. Information technology actually works...sort of. Due to the fact that one of the Balls (the fake Killer Marathon brawl) is basically a dud, she comes back in the grade of Bad Domestic dog (or "Bad Daughter Domestic dog", equally labelled in the credits), a puppy with the mental attitude of an infantile Bad Daughter. It's played directly in the second DLC—though she retains her regressed personality every bit Bad Domestic dog—with Travis Lampshading the whole thing and wondering about what volition happen now that Bad Girl is dorsum.
• Bittersweet Ending: While the game ends with Travis' decision to unretire and take on the next wave of assassins, he's no less remorseful most killing Dr. Juvenile, who he finally realizes has been forced to bury her frustration and grief over very petty going her manner, and being taken advantage of. It especially gets to Travis as due to him getting to live out the video games she'south designed, he experiences firsthand how much she poured all of her thoughts and emotions into every title, and praised her as a genius.
  • For the DLC: Later on clearing the finished version of Killer Marathon, Badman is finally able to properly wish Charlotte back to life (after the previous attempt concluded in her coming back as a dog). Unfortunately, information technology had been and then long since they had seen each other that they are both no longer recognizable as father and girl: so much had happened since they were together, Shigeki Birkin is at present Badman, and Charlotte Birkin is now Bad Girl, both psychotic assassins. As such, the ii agree that it'southward time they parted means. "No I love you's, no hugs." Yet, Badman is happy to have been able to meet his daughter alive once more.
• Dull, but Practical: The 00 Skill Chip gives either character access to a dash motility. It doesn't do any damage or expand the offensive toolkit, only its low cooldown time makes for a handy evasive maneuver and a manner to brand timed puzzles much easier.
• Breaking the Quaternary Wall:
  • In the reveal trailer, Travis personally introduces himself to the audition as the event of his long absence. Bad Human being likewise literally breaks the fourth wall, also known every bit ane of the lenses in Travis' glasses.

    Travis: (recoiling) Nice piece of work, dickhead!

  • The demos shown at diverse gaming events all have the characters talking about the issue the game is existence shown at.
  • As usual, the game itself has near No 4th Wall.
• Breather Episode: Overall, compared to prior games, this i leaves out Santa Destroy and the ranking fights entirely and centers on a much more personal disharmonize most Travis and Bad Homo being forced into an Odd Couple situation, as they deal with a cursed video game panel.
• Brick Joke: When playing every bit Badman and entering Damned: Night Knight, the sequel to Shadows of the Damned, he will comment during a conversation with Bugxtra that his daughter was obsessed with the original game and its protagonist. After unlocking Bad Girl, if you lot go back to the game equally her she incredulously asks what Shadows of the Damned is, with her lack of recognition likely existence a result of her infantile regression.
• Cleaved Pedestal: Played With. From hearing almost the plights of Dr. Juvenile, both self-inflicted and out of her control, Travis' rosy view of how "fun" making video games must be is quashed. On the other hand, Travis gains a newfound respect for the developers themselves in the process.
• Brutal Bonus Level: The existent Killer Marathon Death Brawl, which only exists in the postgame in DLC. It'due south a significant step-up in difficulty from the unabridged rest of the game.
• The Bus Came Back:
  • Meta-case — Travis Strikes Again marks Suda51'southward render to the manager's chair since No More than Heroes, a time gap of more than ten years. ^annotation No More Heroes was released first in Nippon on Dec 6, 2007.
    • Similarly, Michael J. Gough reprises his role as Dan Smith 14 years after the release of Killer7.
  • The epilogue of the first No More Heroes teased a new character (a child named Jeane) and the prospect of their existence being addressed in the sequel, but NMH 2: Desperate Struggle completely ignored this point. In the TSA DLC postgame, this is finally addressed, after ten years.
  • Shigeki Birkin was a character who only appeared in a Killer7 spin-off story that was left unfinished. He finally returns as Badman.
• Came Back Wrong: The attempt to bring dorsum Bad Girl in the main game goes this style, thanks to one of the Death Balls coming from an incomplete game. The 2d DLC addresses this, with Travis going through a completed version of said game, leading Bad Girl to come back equally her old self, albeit with the infantile personality from her outset resurrection still intact.
• The Cameo: Various characters from other works; encounter also Catechism Welding.
• Canon Welding: Various characters and plot points from numerous other Grasshopper games appear in this one, including The Silver Instance and its sequels, Killer7, Allow It Die, Killer is Dead and others.
• Character Customization: Travis, Badman, Shinobu and Bad Daughter can be equipped with fries (some of which are sectional to a certain grapheme) that grant them unlike abilities in combat, although none of them tin have the aforementioned chip active simultaneously. All four of them can likewise be leveled up past defeating enemies, although the pool of EXP they do this from is shared.
• Co-Op Multiplayer: A second player tin take command of Badman (or other unlockable characters in DLC) and join the first role player (Travis) on their tearing romp through the game.
• Cut the Knot: In the start "Travis Strikes Back" scenario, Travis and Uehara arrive at a convenience store, where the Death Brawl lies in await at the end of a circuitous maze. Players of The 25th Ward volition probable groan at the prospect of dealing with that puzzle for a fourth time...until Travis suggests that they just punch in a cheat lawmaking. Uehara does and then, and they become the Expiry Ball without the hassle of the maze!

  Travis: Bitchin'!

• Denser and Wackier: Past no means is this game tamer than previous No More Heroes titles, only information technology'south certainly less gory due to the enemies here being corrupted data bugs rather than flesh and blood humans. The bosses are even dispatched in less tearing ways, only being subjected to a single wrestling move rather than the over-the-top finishers seen previously. It does however amp up more ludicrous humor.
• Dreaming of Things to Come: Dr. Juvenile had dream visions of Shadows of the Damned, which is how she was able to make a sequel to it about 2 decades earlier it came out.
• Does This Remind You of Anything?: Dr. Juvenile'south struggles with game evolution directly parallel Suda51'southward, with certain games having very explicit parallels with his works. The Travis Strikes Back segments are filled with straight sendups to his visual novel games, while the Obvious Beta nature of the later games aligns with Suda's struggles with game evolution in contempo years. This comes to a caput in the Serious Moonlight level, which many critics theorize is a fashion for Suda to come up to terms with the infamous level of Executive Meddling that Shadows of the Damned got from its publisher EA.
• Even Evil Has Loved Ones: Much like the example of Skelter Helter and Jasper Batt Jr. in the previous game, in that location are people connected to the people that Travis has killed and their relatives are likely to be pissed about it — in this case, Bad Man.
• Expy: Silver Face of Killer Marathon is one of Garcian Smith from Killer7. Both are not quite the badasses that their respective games initially brand them out to exist: Garcian prefers to let the other personae of the Smith Syndicate kill, since he himself would "never hurt a fly"; and Silver Face is actually very squeamish and balky to physical exertion.
• Fictional Video Game: Travis and Bad Homo fight their manner through vii different video games:
  • Electric Thunder Tiger 2, a cyberpunk-styled action game, and a sequel to Travis's favorite arcade game from his babyhood.
  • Life Is Destroy, a puzzle game taking place in a developing residential surface area with the players pursuing a serial murderer.
  • Java & Doughnuts, a mail-apocalyptic side-scroller, where players progress by collecting coffee and doughnuts for the game'south protagonist.
  • Gilded Dragon GP, which is two games in one: an action game where players clean up a Japanese-way hotel, and a drag-racing game which is rendered in vector graphics.
  • Killer Marathon, which contains within it the original Death Drive, a shooter not different Asteroids. This Killer Marathon brawl is unfinished and thus extremely curt. Later in the DLC (or post-game content in the PC version which includes all the DLC) a finished version is found, and it's quite Exactly What It Says on the Tin... except for its actually being a pinball game.
  • Serious Moonlight: Originally conceived equally an open-globe action-RPG, just due to the game's troubled product and Dr. Juvenile not being able to develop the game equally she initially intended, the proper name was changed to Damned: Dark Knight. Travis is surprised to larn that it is a sequel to Shadows of the Damned, starring Johnson equally the protagonist.
  • The final Death Ball is CIA. Information technology's non actually a game, but a backdoor into the actual Fundamental Intelligence Agency headquarters, where Dr. Juvenile and the Death Drive AAA look. The CIA agents actualization as Bugs is a result of the Death Drive Mk.II Mind Screwing the player's ascertainment; the agents' bodies appear afterward in the hallways as pixelated sprites of dead Russian gangsters from Hotline Miami.
• Final Dominate: In the demo, Travis immediately assumes that Dr. Juvenile, who created the Decease Bulldoze MK II, will exist the final boss of the game. Turns out he was correct, though the exact context backside the fight is much more complicated. This is subverted with the existence of the second DLC, which is technically the conclusion of the story, as Silver Face becomes the final opponent Travis faces. Silver Face'southward rage over existence relegated to DLC ends upward turning him into the hardest boss in the game.
• Foreshadowing:
  • In the trailer hub, Badman sometimes drunkenly mutters almost how getting "sucked" into a video game sounds like nonsense to him in spite of the fact that it seems to happen to him and Travis every fourth dimension they utilise a Death Ball. It turns out that the panel really employs a course of Brain Uploading through the Death Gloves that shunts the minds of its players into the heads of digital avatars of themselves.
  • At the ramen stalls in every level, Travis and Badman will say "Itadakimasu" before eating. Note how the pronunciation of the discussion differs between the ii of them- Travis says it like "ita-daki-masu", while Badman says "ita-daki-mahss", which is actually the correct way to say the word. This hints at his Japanese heritage.
  • Exploited in a fourth wall break in the Bubblegum Fatale DLC when Travis is suddenly approached by 2 aliens named Mr. Wormhole and Mr. Blackhole, who have arrived on Earth to take it over, making mention of a "prince" in the procedure. Shinobu interprets the introduction of the new characters as "foreshadowing for the next game". Sure plenty, No More Heroes Iii features an alien invasion by none other than said alien prince.
  • When you input the cheat codes to obtain K'southward faxes or trigger various in-game effects, a small 8-bit sprite of a cowgirl appears. The Travis Strikes Dorsum postgame segment in the DLC reveals that this is actually Sylvia.
• Franchise Killer: Discussed In-Universe during the second sequence of "Travis Strikes Back". Jeane tells Travis how players would be upset over the visual novel segments when they were expecting an action game, only for Travis to say he doesn't care about how they feel. In response, Jeane tells Travis to expect the game to flop and never see an actual tertiary game. Though of course, No More Heroes III is still happening.
• Gainax Catastrophe: At the end of the game, Travis kills several CIA agents, slays Dr. Juvenile, ends up on Mars, meets John Winters, shares some Martian java with him, so gets his head chopped off earlier being sent back to reality.
• Gratis Japanese: Travis will say "Itadakimasu" and so "Gochisosama deshita" before and after eating at a ramen stand. Not exactly unheard-of behavior for an Occidental Otaku of his generation. Badman also speaks in Japanese when eating ramen, although it's Justified in his instance, since he really is Japanese (and his emphasis is more than fluent than Travis's).
• Hailfire Peaks: Killer Marathon, the world-trotting sports murder title, is substantially the game'due south version of this, every bit it sees you going from a shopping center, to a wild western setting, to space, to a coral reef, and finally returning to the large metropolis. This is because the game is actually a composite of multiple pinball tables.
• Healing Checkpoint: Toilets, this serial's traditional save points, now besides fully restore health.
• Horrifying the Horror: Downplayed; the playable assassins are disturbed and/or disgusted past Mr. Doppelganger (his exaggerated video game self, at least).
• I Know Madden Kombat: Badman was once a legitimate and promising professional baseball player until he was kicked out of the leagues for drunken misconduct during games. With few other skills apart from beingness able to slug things with a baseball game bat, he became an assassinator shortly later his forced retirement, though "Badman Strikes Back" takes time to cover his employment with the mafia equally he transitioned from i into the other.
• Like Begetter, Like Daughter: Bad Daughter'southward father fights much similar his daughter; with a baseball bat and enough of beer on manus. He even re-anacts some of her animations. This really leads to Badman and Bad Girl deciding to office ways after the latter is properly wished back to life. Later on all, Badman never taught Charlotte to be an assassin, and Charlotte never knew that her dad was becoming a psychotic assassin, so each had get almost unrecognizable to the other.
• Logo Joke: The Grasshoper Manufacture prototype switches out the usual head on the logo for Travis'.
• Malevolent Masked Man: Bad Homo is a boozer-off-his-rocker assassin wearing a leather mask. Justified co-ordinate to Badman Strikes Back, every bit his face is apparently severely damaged and requires the mask to go along it in place, like a retainer for kleptomaniacal teeth.
• Meaningful Name: The Death Bulldoze game panel is likely a reference to Freud's psychoanalytical theory of the "expiry drive," which describes humans' natural compulsion to destroy other things and themselves. Fits in well with Travis' life as an assassin, and the Death Seeker tendencies of much of the game's cast.
• The Nearly Dangerous Video Game: Yard claims that fifty-fifty playing the Death Drive MK. II could give the thespian fatal brain damage and that perishing in the game world could have lethal consequences. He's actually lying in an attempt to dissuade Badman and Travis from playing further. Although this doesn't hateful the console is harmless by any stretch of the imagination.
• No Fourth Wall:
  • In serial tradition. As the fight with Bad Man and Travis starts, Travis notes that it'southward been a while since he's been in a game, and notes that Bad Man is probably confusing the audition. Bad Human being gets aroused at how little Travis is taking him seriously, and tells him to knock it off with the audience pandering.
  • In the game itself it gets to the point where concepts like localization costs, metacritic score, how many players volition actually carp to play the DLC, the impending development of No More Heroes 3, etc. are all openly discussed.
  • Early on, Travis addresses the player's possible allegation of him ripping his fourth-wall breaking affinity off of "Deadpole or whatever" by challenge that he did information technology start.
• Oddball in the Series: The game'southward gameplay is built from the ground up equally a new kind of lower upkeep Hack and Slash format rather than being in the style of the other games, and the story is focused on in-universe video games rather than any sort of existent killing (though don't mistake that for the story not beingness equally serious).
• Previous Player-Character Cameo:
  • The Kamui Uehara who appears in this game is specifically the protagonist Uehara from Grasshopper's immediately previous release, the remake of The 25th Ward.
  • Mondo Zappa briefly appears later killing Count Dracula, giving a Death Ball to Travis before telling him to go out. Later on, a girl named Juliet who claims to have abandoned her past appears in a chapter called Hell's Chainsaw.
  • Nigel MacAllister, the possessor of the Texas Bronco donut chain who gives Travis his third Death Ball is the same MacAllister featured in the Kinect-just game Diabolical Pitch.
  • Dan Smith shows up in the intro added in the Day 7 patch, two months between the release of Travis Strikes Again and the Killer 7 HD remaster.
  • Serious Moonlight is a Stealth Sequel of Shadows of the Damned. Its intro shows its protagonist, Garcia Hotspur, dying at the hands of an assassin, with his companion, Johnson, becoming the new hero, "Eight Hearts".
• Power-Up Food: In-game ramen stands provide Travis and Bad Homo with a quick health fill-upwards. Different the toilet savepoints, they can only be interacted with one time, only they do refill the energy meter and reset the cooldown for any skills equally a tradeoff.
• Production Placement: The game openly advertises the Unreal Engine used in its development on numerous places including shirts and collectable items. Several collectible T-shirts feature images from various games, including (but non limited to) Hotline Miami, Galak-Z: The Dimensional, Jet Ready Radio, and Undertale.
• Punny Name: A number of the Bugs are named after diverse popular culture icons such as the Backstreet Boys and Mark Zuckerberg among others.
• Purple Is Powerful: Travis has inverse in his red jacket for a purple i.
• Retreaux: The take a chance segments look as though they came out of an old Apple tree II estimator game.
• Sequel Gap: invokedTravis lampshades that due to the gap between both games' release, not everyone in the audience would know who he is, what'due south going on, or how it came to this.
• Sequel: The Original Championship: invokedTake note of how small the series' logo is in comparing to the new subtitle. This was a deliberate choice in lieu of calling it "No More than Heroes 3", accounting for the 9-year long Sequel Gap and making it feel more similar a newcomer-friendly, self-contained adventure.
• Shout-Out:
  • The logo has a very similar font to Stranger Things.
  • The "Death Drive Mk. II" is an in-universe predecessor to the Expiry Drive 128 from Permit Information technology Die, and its mysterious nature and backstory is inspired past Polybius.
  • Travis's TV screen is shown playing Hotline Miami. Plumbing fixtures for an ultraviolent assassinator. The Carl Mask (a.k.a. the locust mask) appearing in the trailer is likely a reference to Grasshopper Manufacture. Later on this turns into a pseudo-crossover.
  • The goal of the game is to collect six video games (called "Death Assurance"), where collecting all six will summon a huge tiger god to grant the collector'southward wish.
  • Travis' Unreal Engine shirt alludes to the British Phonographic Industry's 1980s "Dwelling house Taping Is Killing Music" anti-piracy advertizement campaign.
  • When Travis enters a game world, he appears in a sphere of electric calorie-free similar to a Terminator.
  • The Expiry Drive'south boot-up screen features the console's name being chimed in a similar style to the famous "SEGA!" cheer from the original Sonic the Hedgehog games.
  • On the back of Travis's jacket is "Eye of the Tiger" transliterated into katakana.
  • During 1 of the visual novel segments, Travis enlists a horse named Epona to find one of the Death Balls.
  • A large number of the Skill Chips are named afterwards Gundams. Some of the skills themselves farther reference their namesake Mobile Suits, such as F91 Scrap creating clones to distract enemies and Shining Scrap "grabbing" its target.
    • The upgrade parts in Golden Dragon GP are named Gearbox Z, Gearbox ZZ, and Gearbox 5 (the Greek letter of the alphabet Nu).
    • The finished version of Killer Marathon riffs on the serial'due south iconic Colony Drop scenes.
  • Mr. Doppelganger announces the phase changes in his boss battle with "Change! Doppel ii!" and "Alter! Doppel three!", like the Getter Robo team.
  • The blitheness that plays when Travis acquires a Skill Fleck from clearing a game is parody of the item-go pose from The Legend of Zelda, complete with a soundalike jingle. Collecting a Skill Chip while exploring the games presents a small 8-bit Travis sprite in the fashion of the original NES game property up the Chip.
  • One of the visual novel segments features a company named Texas Bronco, a nod to Andrei Ulmeyda'south t-shirt from Killer7.
• A Sinister Clue: The Death Drive Mk. Two'south controllers are two left hands.
• Stealth Sequel: Although it's apparently a No More than Heroes game, less obvious is the fact that one of the characters, Kamui Uehara, is making an appearance that directly follows one of the endings to The 25th Ward. The fourth affiliate of Travis Strikes Dorsum sees Travis visiting the setting of the game and meeting numerous characters.
  • Serious Moonlight is actually 1 to Shadows of the Damned, revealing its truthful proper noun and nature upon being booted up.
  • The new intro cinematic added with the 'Day 7' patch makes the game one to an onetime Japanese-only Killer7 spin-off novel, of all things.
• The Stinger: Once the (second) credits stop rolling, the thespian is thrown in a prototype surface area in a tertiary person perspective and a slightly modified control scheme. Interacting with a dummy model has Travis intermission the fourth wall one final time to hint at the being of No More Heroes III. Further exaggerated if you have the DLC, which includes substantial extra capacity fifty-fifty subsequently that stinger.
• Stopped Numbering Sequels: invokedTravis lampshades the effects of Continuity Lock-Out, which is partially why this game is titled the way it is rather than No More Heroes iii.
• Stylistic Suck: The Death Bulldoze Mk.II splash screen and introductory movies for nearly of the games look similar they have tracking errors. The intro to Life is Destroy harkens to the Narmy alive-action FMVs of early CD-ROM games, while the intro for Java & Doughnuts looks like it comes from a deal-bin PS1 game. Inside the games proper, visual glitches grow, and the enemies that yous fight are referred to as "Bugs".
• Of a sudden Voiced: Uehara talks with Travis in this game, only in The 25th Ward he was nearly entirely silent, fifty-fifty in the ending that leads into this game.
  • Jeane likewise inexplicably speaks after spending the last two games merely being a normal house true cat. Several characters are suitably freaked out by this.
• Take That!:
  • The reveal trailer pulls a few fast ones on video gamers, gaming companies, and the game itself.
  • When advertising the game'southward use of Unreal Engine, it sarcastically calls it "noble and pedigreed."
  • A villain in the fifth Travis Strikes Back segment is an evil CEO with the last proper noun "Riccitiello"; John Riccitiello was CEO of Electronic Arts when Suda was developing Shadows of the Damned. Travis ends upwardly beating him to a lurid.
  • The entire Serious Moonlight/Damned: Demon Knight is a huge one to EA and their meddling with Shadows of the Damned, right up to the changed in what type of game information technology was supposed to be and the entire stage being fifty-fifty more glitched out than usual due to the somewhat buggy nature of some sections of the game, including pop-in.
• Teeth Clenched Team Work: How the Co-Op Multiplayer works in-universe since Bad Human being is the 2nd actor grapheme. While players can't damage each other, they can still attack ane another or make their partner the target of their Skill Chips.
• Through the Eyes of Madness: Through his faxes, K warns that the Expiry Bulldoze Mk. Ii is designed to gradually tweak the minds of players so that they can be influenced to run across people in real-life opponents as digital Bugs that you can slay without remorse as a means of curbing the PTSD and guilt soldiers experience from killing humans. During the final level, Travis and Bad Man are manipulated into slaughtering hundreds of CIA operatives because they run across them equally a Bug ground forces that Dr. Juvenile summoned from the game world.
• Timed Mission: Most of the levels in the finished version of Killer Marathon tasks players with reaching a checkpoint within a strict time limit. Running out of time forces yous back to the last toilet yous saved at.
• Tom the Night Lord: Serious Moonlight begins with Garcia Hotspur beingness hunted down and defeated past Fleming'southward gun-totting son, Alfred.
• Top-Downward View: Almost levels uses an overhead view perspective.
• Trapped in TV State: Travis and Bad Homo, initially. Afterwards the get-go game, they are free to travel between the Expiry Drive and reality, but continue to return to it.
• Underground Monkey: Dr. Juvenile corrupted the Death Ball games with the Bugs to preclude players from completing them. Equally a effect, they tend not to mesh with the settings very well.
• Unexpected Gameplay Modify: Yous unlock Death Balls by going through segments based on visual novels, and Gilt Dragon Grand Prix is a racing minigame. In both cases, the game calls itself out on it.
• Very Simulated Advertising: The game plays multiple times with this trope in regards to several games.
  • Serious Moonlight: The game was marketed equally a modern century RPG, and while that was initially the intention, executive meddling and creative differences forced the game to be cancelled, causing Juvenile to instead create a sequel to Shadows of the Damned.
  • Killer Marathon: The game was marketed as a future activeness game that pits criminals into a world trotting murder sport for entertainment. The boss, Silver Face up, reveals that the game is actually a Pinball game; pointing out that the game's traps, layout and obstacles were a dead giveaway. Silver Face besides isn't an actual murderer because his game doesn't involve murdering, he himself admitting to existence squeamish.
• Videogame Caring Potential: If yous choose to rescue Jeane every fourth dimension she wanders off into the Death Bulldoze, yous'll be rewarded with a special Skill Chip that grants temporary invisibility.
• Visual Pun: The fact that this game'due south trailer is about Travis and Bad Man fighting in a literal trailer.
• Wham Episode: Serious Moonlight. The game is revealed to be a sequel to Shadows of the Damned where Garcia is seemingly killed and Johnson takes his place as Eight Hearts, the sequel's main protagonist. Cue the game'southward true title: Damned: Dark Knight .
  • The 'Solar day vii' patch, which reveals that Bad Homo is Shigeki Birkin, a graphic symbol from killer7 All There in the Manual content, and was given the first Decease Brawl past Dan Smith, who knows who Travis is and wants him dead.
• "X" Marks the Hero: Jeane's portrait in the visual novel-style segments has an X-shaped scar across her snout.
• Y'all Killed My Girl: The man fighting Travis in the debut trailer is the father of Bad Girl, an assassin Travis killed in the original game.

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Source: https://tvtropes.org/pmwiki/pmwiki.php/VideoGame/TravisStrikesAgainNoMoreHeroes

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